Two lessons from the Megaupload seizure
[M]any SOPA opponents were confused and even shocked when they learned that the very power they feared the most in that bill — the power of the U.S. Government to seize and shut down websites based solely on accusations, with no trial — is a power the U.S. Government already possesses and, obviously, is willing and able to exercise even against the world’s largest sites (they have this power thanks to the the 2008 PRO-IP Act pushed by the same industry servants in Congress behind SOPA as well as by forfeiture laws used to seize the property of accused-but-not-convicted drug dealers). This all reminded me quite a bit of the shock and outrage that arose last month over the fact that Barack Obama signed into law a bill (the NDAA) vesting him with the power to militarily detain people without charges, even though, as I pointed out the very first time I wrote about that bill, indefinite detention is already a power the US. […]
There are two points worth making about all of this:
(1) It’s wildly under-appreciated how unrestrained is the Government’s power to do what it wants, and how little effect these debates over various proposed laws have on that power. Contrary to how it was portrayed, the Obama administration’s threatened veto of the NDAA rested largely on the assertion that they did not need a law vesting them with indefinite detention powers because they already have full power to detain people without a trial. […]
That’s more or less what happened with the SOPA fight. It’s true that website-seizures-without-trials are not quite as lawless as indefinite detentions, since there are actual statutes conferring this power. But it nonetheless sends a very clear message when citizens celebrate a rare victory in denying the Government a power it seeks — the power to shut down websites without a trial — only for the Government to turn around the very next day and shut down one of the world’s largest and best-known sites. Whether intended or not, the message is unmistakable:
Congratulations, citizens, on your cute little “democracy” victory in denying us the power to shut down websites without a trial: we’re now going to shut down one of your most popular websites without a trial.
(2) The U.S. really is a society that simply no longer believes in due process: once the defining feature of American freedom that is now scorned as some sort of fringe, radical, academic doctrine. That is not hyperbole. Supporters of both political parties endorse, or at least tolerate, all manner of government punishment without so much as the pretense of a trial, based solely on government accusation: imprisonment for life, renditions to other countries, even assassinations of their fellow citizens. Simply uttering the word Terrorist, without proving it, is sufficient. And now here is Megaupload being completely destroyed — its website shuttered, its assets seized, ongoing business rendered impossible — based solely on the unproven accusation of Piracy.
(via Avatar to Inception: Movie posters recreated as though they were made in the 1950s | Mail Online)
(Source: iusedtobemissanithrope, via cris-)
everytime i call my friend…
i’m not sure i could ever do better than this…
Logo modification by Viktor Hertz. After his first series, he’s back with a new batch of Honest Logos, see them all on Flickr here.
(via thisisjessemejia)
Newly restored scans of Hasselblad photos shot on Gemini’s 1965-1966 missions.
These galleries include outtakes, underexposures, overexposures, double exposures, light leaks, etc. Even astronauts make photo mistakes.
Read all about the scans.
Newly Restored Hasselblad Scans from Gemini’s Space Missions
Photos: NASA/JSC/Arizona State University; via BoingBoing
(via itsfullofstars)
![BD Horror News - [Sundance ‘12]: ‘V/H/S’ Filmmaker David Bruckner Talks Emerging Media, ‘The Signal, And ‘Enter The Void’ As An Influence
Writer/Director David Bruckner made a name for himself with 2007’s The Signal. Now, as one of the directors of V/H/S - a film that breathes new life into the stagnant found footage genre - he’s able to explore his fascination with the sociological repercussions of technological immersion in deeper, more horrific, areas.](http://27.media.tumblr.com/tumblr_lxz19wcYqT1qz6lolo1_500.jpg)
Writer/Director David Bruckner made a name for himself with 2007’s The Signal. Now, as one of the directors of V/H/S - a film that breathes new life into the stagnant found footage genre - he’s able to explore his fascination with the sociological repercussions of technological immersion in deeper, more horrific, areas.
(Source: thearchtivist, via motacreativo)
